![]() Also: not every record needs radio-ready hooks, but when you’ve built a career out of being really good at writing them, deciding to forgo their inclusion feels like a unnecessary personal challenge at best and an act of antagonistic withholding at worst. The Bad: After the thrill of its uncharacteristic opening wears off, Tranquility Base Hotel & Casino settles into its own musical miasma, in which Turner tosses off his stream-of-consciousness bon mots amid songs that stumble into one another and never quite coalesce into the sci-fi concept record that the band seems to intend. ![]() In addition to giving us the best opening line of the decade (“I just wanted to be one of the Strokes/ Now look at the mess you made me make”), Turner’s unexpected dive into the world of social commentary (highlighted best on tracks like “Four Out of Five” and “American Sports”) also pairs well with the record’s hazy arrangements, which make ample use of the frontman’s 30th birthday gift: an old-fashioned Steinway Vertegrand. The Good: Alex Turner’s always been a crack lyricist, and he takes these skills to a new, satire-rich level as the record’s lounge-y, silver-tongued narrator.
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